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Ewie wi' the Crookit Horn
Rev. J Skinner
(1721-1807)
*Oh, the yowie wi' the crookit horn
A' that kenned her could hae sworn
That sic a yowie ne'er was born
Here aboot or far awa'
'O were I able to rehearse,
My ewie's praisein proper verse,
I'd found it out as loud and fierce,
As ever piper's drone cou'd blaw.'
*refrain
She never threatened scab nor rot,
but keepit aye her ane jog trot,
Baith tae the fauld and tae the cot
was never sweir tae lead nor ca'.
*refrain
When ither ewies lap the dyke,
and ate the kail for a' the tyke,
My ewie never played the like
but stayed ahint the barnie wa'.
*refrain
But wad ye think for a' my keepin'
There came a nicken fen I was sleepin'
There came a nicken when I was sleepin'
And stole my yowie, horn an' a'
*refrain
Oh, gin I had the lad that did it
I haw sworn as weel as said it
Though the de'il himsel' they should forbid it
I would gie his neck a thraw
*refrain
She'd neither not carf nor keel
To mark upon her hip or heel
Her crookit horn it did as weel
To ken her o'er amang them a'
*refrain
The yowie wi' the crookit horn
The yowie wi' the crookit horn
My ewie wi' the crookit horn
Is ta'en frae me and sto'n awa'
*refrain
Cauld nor hunger never dang her,
Wind nor weet could never wrang her;
Ance she lay a week and langer
Out aneath a wreath o' snaw
*refrain
I looked aye at even for her,
Lest mishanter should come o'er her.
Or the foumart might devour her,
Gin the beastie bade awa.
*refrain
Yet, Monday last, for a' my keeping,
I canna speak o't without greeting,
A villain came when I was sleeping,
And staw my ewie, horn and a'.
*refrain
I sought her sair upon the morn,
And down 'aneath a buss o' thorn
I got my ewie's crooked horn,
But ah! my ewie was awa'.
*refrain
But gin I had the loon that did it,
I hae sworn as well as said it,
Though the Laird himsel' forbid it,
I wad gie his neck a thraw.
*refrain
O! had she dee'd o' crook or cauld,
As ewies do when they are auld,
It wadna been by mony fauld
Sae sair a heart to nane o's a'.
*refrain
For a' the claith that we hae worn,
Frae her and her's sae aften shorn,
The loss o' her we could hae borne,
Had fair strae death ta'en her awa'.
*refrain
This sang can be heard on a classic album
collected from Lucy Stewart by Peter Kennedy
recorded on Folksongs of Britain 10. I used to check these great records out of the Edinboro Library in the 70s. I don't think you can still get the whole set but look here, Rounder Records has a wonderful shortened set on CD.
http://www.rounder.com/rounder/artists/lomax_alan/brit.html
Also when I was in college my husband gave me a delightful old volume of folksongs from Scotland Called the Royal Edition -The Songs of Scotland. The frontice piece says 1892 is when this copy was given as a gift.
I found this song in that book and was so pleased to find a midi of the tune at Mudcat Cafe recently. In this book It claims the Rev. Skinner wrote it but I have found other versions as I noted and I suspect like allot of songs Rev. Skinner may have written more verses for a older song just as Burns and Sir Walter Scot sometimes did. Just the same, I put Rev. Skinner's name under the title. This does not have a copyright as far as I know, it should be in the public domain. Compare the humor in this song to the dryer tale by Burns "What Will I Do Gin My Hoggie Die?".
These lyrics were written by the Reverend John Skinner (1721-1807). Glen (1900) believes the tune to date from around 1780. It was published that year in Angus Cumming's 'Collection of Strathspeys, or Old Highland Reels' and was called 'Carron's Reel' or 'U Choira Chruim'. In a letter to Burns dated 14 November 1787, Skinner says, 'my daughters. .. plagued me for words to some of their favourite tunes', which this may well have been. Some commentators believe, however, that it refers to the curved tubing of a whisky still, which is possible, but an unlikely subject for a man of the cloth!
The 'Scots Musical Museum' is the most important of the numerous eighteenth- and nineteenth-century collections of Scottish song. When the engraver James Johnson started work on the second volume of his collection in 1787, he enlisted Robert Burns as contributor and editor. Burns enthusiastically collected songs from various sources, often expanding or revising them, whilst including much of his own work. The resulting combination of innovation and antiquarianism gives the work a feel of living tradition.
It is said this song is actually about a whiskey still by some historians
The Official Robert Burns Site: Maurice Lindsay's 'The Burns Encyclopaedia', available to search online
Alexander Warrack. 'The Concise Scots Dictionary' serving as a glossary for Ramsay, Fergusson, Burns, Scott, Galt, minor poets, kailyard novelists, and a host of other writers of the Scottish tongue Poole: New Orchard Editions, 1988
Find in NLS: Title, Author, Title+Author or British Library: Title, Author, Title+Author
James Johnson and Robert Burns. 'The Scots Musical Museum, 1787-1803', facsimile copy in two volumes. Introduction by Donald A. Low, includes select bibliography, index of songs contributed by Burns, and Burns' notes on Scottish Song, written in an interleaved copy of the 'Museum' Aldershot: Scolar Press, 1991
Find in NLS: Title, Author, Title+Author or British Library: Title, Author, Title+Author
John Glen. Early Scottish melodies: including examples from mss. and early printed works, along with a number of comparative tunes, notes on former annotators, English and other claims, and biographical notices etc. written and arranged by John Glen Edinburgh: J. & R. Glen, 1900. NLS shelfmark (out of print) Mus.Ref.4(NRR)
Find in NLS: Title, Author, Title+Author or British Library: Title, Author, Title+Author
http://www.robertburns.org/
(Older verses)
**
verse:
Ilka ewe comes hame at even (x3)
Crookit hornie bides awa
***
chorus:
Ewie wi the crookit horn
May ye never see the morn
Ilka nicht you steal my corn
Ewie wi the crookit horn
***
Ilka ewie has a lambie (x3)
Crookit hornie she has twa
***
A the ewes gie milk eneuch (x3)
Crookit horn gies maist of a
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